“Funky ass shit going down in the city”
Figuring out why I like Greenberg so much as it all just poured out of me (which I hope doesn’t come out as all being obvious): 
1) The opening shot zooming in on Florence hiking, no music, and then BOOM cut to Steve Miller Band “Jet Airliner” while Florence drives around LA.  I’m listening to “Jet Airliner” while I write this and I’m getting chills.  ”Goodbye to all my friends at home/Goodbye to people I’ve trusted” and “You know you got to go through to hell to get to heaven” are two key lines in this song as it relates to Greenberg.  The song distills a positive energy of moving forward (melody, tempo) while the lyrics also point to feeling stationary and wanting to move away from something.  The characters in Greenberg are lost and they’re having trouble moving forward to the next phase in their life though they know they must, and want too.  I can relate to it big time.  ”My heart keeps on moving backwards as I get on that 707”.  The past is in albatross that you have to move away from but that isn’t easy.  Is the past a definition of who you are?
2) Ivan: Youth is wasted on the young.
Greenberg: I’d go further.  I’d go: “Life is wasted on people.”
It’s hard being a person.  You try to be good, you try to be this, you try to be that.  One time my mom and I were having an argument and I said, “But it’s all so hard!  I have trouble living life sometimes!” and she said back “It’s like that for everyone!!”  Life is wasted on people because it is impossible for a person to enjoy the gift of life; to simply revel in the fact that they chanced into becoming a conscious being.  People are flawed and Greenberg is flawed.  But so is everyone else around him.  No one in this movie is perfect.  There’s a moment when Ivan says something like, “You don’t understand living a life you didn’t plan on!” and Greenberg screams back at him “Of course I do!  What the FUCK do you think I’m doing now?”  Greenberg isn’t perfect but neither is anyone else in this film.  It is this struggle between the characters to understand one another, to accept each other’s flaws and each other’s problems and each other’s misconceptions about the world, themselves, and how they are perceived, that propels all the drama in the film just like it does in life. 
3) The importance music plays in this film speaks to me as a music fanatic.  I encounter people who don’t understand the role music plays in my life - and they certainly have something in their life that I don’t understand that fulfills a similar role in theirs.  So there’s an equivalent for everyone, but for me, in this film, it’s the music stuff that sticks out, as I believe Noah Baumbach intended. 
Greenberg makes Florence a mix tape immediately after meeting her; he checks out her CDs in her car; he goes to see her sing; he even has a little trouble turning down the music in the car while Florence is on her way to her abortion.  He fucking hates when they turn Duran Duran off!  “Dude - youngster - that’s fucking perfect coke music!  Dont you get it?” he thinks.  Again, it’s about trying to connect with others and not understanding what others want and prefer as opposed to your own tastes and feelings.
Throughout Greenberg, Greenberg wears a Steve Winwood t-shirt; a cover of the album “Back In The High Life,” which features the song “Back In the High Life Again”.  That’s what the characters want.  The past.  To get back in the high life again.  And again, it’s about the struggle trying to get to the high life while moving away from the past to the new phases, but man, it’s hard.  The song, much like “Jet Airliner,” mixes hope with this nostalgic melancholy that defines a lot of this film.
4) So when Greenberg leaves his voicemail for Florence and then the movie ends with her saying to him about the voicemail, “This is you,” I can’t help but think that the message of the movie is this: People are different and we’ve all got to do our best to see eye to eye while realizing that that’s near impossible to do.  Life is hard and people are different!  Florence realizes this more than the other characters and because of this I think Greenberg realizes he is lucky to have met her.  Throughout the film he tries to do nothing, but with Florence’s influence he sees that nothing is not an answer. So then he decides to go nuts and travel impulsively to Australia!  No, not that answer either.  But then what?  What do we do with our lives?  Which decisions are meaningful and correct?
5) We live in the moments.  And in these moments we can only do our best.  We will err constantly, but we will also learn and move forward.  We can’t change our lives with a single decision.  It’s all flawed and imperfect and everyone will not always be happy.  There are casualties.  Our past will haunt us.  But Noah Baumbach has made a film that is close to life and embraces this.  The focal point in the film is the relationship between Greenberg and others - specifically Florence.  By the film’s end Greenberg has learned through his interactions with others and starts to arrive at the only valuable realization a human can have: We live, we die, and in the middle there’s a bunch of shit.  And that bunch of shit is very similar to everyone else’s.  
Greenberg is having a hard time living his own life, but at film’s end he is starting to see that his life is no different than anyone else’s.  Everyone’s struggling in some way so he’s just gotta face his own problems and accept who he is.  And by accepting who he is he will understand that you’ve got to go easy on yourself because no one lives a perfect life. 
Thanks to Dean for inspiring me to go apeshit and think and write about a flick I dig a whole lot!
balltillifall:

What I Watched: Greenberg
I like this movie more and more every time I watch it. It’s a very wry, subtle look at some very flawed humans floundering around with each other. I especially like it because after the second time watching it I realized that it’s not actually about the title character Greenberg, but that it’s really about Greta Gerwig’s character Florence who is one of the more realistic, relatable characters I’ve seen on film in a long time. 

“Funky ass shit going down in the city”

Figuring out why I like Greenberg so much as it all just poured out of me (which I hope doesn’t come out as all being obvious): 

1) The opening shot zooming in on Florence hiking, no music, and then BOOM cut to Steve Miller Band “Jet Airliner” while Florence drives around LA.  I’m listening to “Jet Airliner” while I write this and I’m getting chills.  ”Goodbye to all my friends at home/Goodbye to people I’ve trusted” and “You know you got to go through to hell to get to heaven” are two key lines in this song as it relates to Greenberg.  The song distills a positive energy of moving forward (melody, tempo) while the lyrics also point to feeling stationary and wanting to move away from something.  The characters in Greenberg are lost and they’re having trouble moving forward to the next phase in their life though they know they must, and want too.  I can relate to it big time.  ”My heart keeps on moving backwards as I get on that 707”.  The past is in albatross that you have to move away from but that isn’t easy.  Is the past a definition of who you are?

2) Ivan: Youth is wasted on the young.

Greenberg: I’d go further.  I’d go: “Life is wasted on people.”

It’s hard being a person.  You try to be good, you try to be this, you try to be that.  One time my mom and I were having an argument and I said, “But it’s all so hard!  I have trouble living life sometimes!” and she said back “It’s like that for everyone!!”  Life is wasted on people because it is impossible for a person to enjoy the gift of life; to simply revel in the fact that they chanced into becoming a conscious being.  People are flawed and Greenberg is flawed.  But so is everyone else around him.  No one in this movie is perfect.  There’s a moment when Ivan says something like, “You don’t understand living a life you didn’t plan on!” and Greenberg screams back at him “Of course I do!  What the FUCK do you think I’m doing now?”  Greenberg isn’t perfect but neither is anyone else in this film.  It is this struggle between the characters to understand one another, to accept each other’s flaws and each other’s problems and each other’s misconceptions about the world, themselves, and how they are perceived, that propels all the drama in the film just like it does in life. 

3) The importance music plays in this film speaks to me as a music fanatic.  I encounter people who don’t understand the role music plays in my life - and they certainly have something in their life that I don’t understand that fulfills a similar role in theirs.  So there’s an equivalent for everyone, but for me, in this film, it’s the music stuff that sticks out, as I believe Noah Baumbach intended. 

Greenberg makes Florence a mix tape immediately after meeting her; he checks out her CDs in her car; he goes to see her sing; he even has a little trouble turning down the music in the car while Florence is on her way to her abortion.  He fucking hates when they turn Duran Duran off!  “Dude - youngster - that’s fucking perfect coke music!  Dont you get it?” he thinks.  Again, it’s about trying to connect with others and not understanding what others want and prefer as opposed to your own tastes and feelings.

Throughout Greenberg, Greenberg wears a Steve Winwood t-shirt; a cover of the album “Back In The High Life,” which features the song “Back In the High Life Again”.  That’s what the characters want.  The past.  To get back in the high life again.  And again, it’s about the struggle trying to get to the high life while moving away from the past to the new phases, but man, it’s hard.  The song, much like “Jet Airliner,” mixes hope with this nostalgic melancholy that defines a lot of this film.

4) So when Greenberg leaves his voicemail for Florence and then the movie ends with her saying to him about the voicemail, “This is you,” I can’t help but think that the message of the movie is this: People are different and we’ve all got to do our best to see eye to eye while realizing that that’s near impossible to do.  Life is hard and people are different!  Florence realizes this more than the other characters and because of this I think Greenberg realizes he is lucky to have met her.  Throughout the film he tries to do nothing, but with Florence’s influence he sees that nothing is not an answer. So then he decides to go nuts and travel impulsively to Australia!  No, not that answer either.  But then what?  What do we do with our lives?  Which decisions are meaningful and correct?

5) We live in the moments.  And in these moments we can only do our best.  We will err constantly, but we will also learn and move forward.  We can’t change our lives with a single decision.  It’s all flawed and imperfect and everyone will not always be happy.  There are casualties.  Our past will haunt us.  But Noah Baumbach has made a film that is close to life and embraces this.  The focal point in the film is the relationship between Greenberg and others - specifically Florence.  By the film’s end Greenberg has learned through his interactions with others and starts to arrive at the only valuable realization a human can have: We live, we die, and in the middle there’s a bunch of shit.  And that bunch of shit is very similar to everyone else’s.  

Greenberg is having a hard time living his own life, but at film’s end he is starting to see that his life is no different than anyone else’s.  Everyone’s struggling in some way so he’s just gotta face his own problems and accept who he is.  And by accepting who he is he will understand that you’ve got to go easy on yourself because no one lives a perfect life. 

Thanks to Dean for inspiring me to go apeshit and think and write about a flick I dig a whole lot!

balltillifall:

What I Watched: Greenberg

I like this movie more and more every time I watch it. It’s a very wry, subtle look at some very flawed humans floundering around with each other. I especially like it because after the second time watching it I realized that it’s not actually about the title character Greenberg, but that it’s really about Greta Gerwig’s character Florence who is one of the more realistic, relatable characters I’ve seen on film in a long time. 

Love Agharta/Pangaea.
doomandgloomfromthetomb:

RIP Pete Cosey
Miles’ guitarist extraordinaire from the monstrous Agharta/Pangaea band. Check out the unbelievable sounds the guy was capable of making on this set, recorded in Sao Paulo, Brazil, May 28, 1974. Miles beyond, indeed. 

Love Agharta/Pangaea.

doomandgloomfromthetomb:

RIP Pete Cosey

Miles’ guitarist extraordinaire from the monstrous Agharta/Pangaea band. Check out the unbelievable sounds the guy was capable of making on this set, recorded in Sao Paulo, Brazil, May 28, 1974. Miles beyond, indeed. 

artandopinion:

Sunny Morning–Eight Legs
1997
Lucian Freud

artandopinion:

Sunny Morning–Eight Legs

1997

Lucian Freud

I made this so that people won’t forget.  

I made this so that people won’t forget.  

Bloom - Beach House - 2012

These guys again.  Teen Dream (2010) and now Bloom.  Practically identical records except that the songs on Bloom seem to have little intros and codas on the songs.  Nice move, guys!

I realized while listening to Bloom today that I always like Beach House records on first listen.  It’s pleasant music.  There’s nothing wrong with it.  It’s well executed, arranged, and played.  But then why do I have such a hard time accepting that I might like their music after listening to their records?

There’s a sense that the music is “safe”- but is it, really?  And what is “safe”?  Just because music is quiet or demure doesn’t make it safer than louder music.  Is it because they’re doing the same thing they’ve always done and not changing?  Possibly, but change is overrated too: if you genuinely like a band and it’s sound, sometimes change ruins the whole thing; they bite off more than they can chew.  I actually like the idea of perfecting a style; working on something until it is the perfect manifestation of the sound you’ve been going for.  There’s a lot to admire in that.  Is it too one note?  This might be the closest reason for my dislike, yet the record passes along quickly and enjoyably.  Even if it sounds similar throughout, if I’m enjoying it, what’s to complain about?  Beach House sounds like Beach House.

So why?  Why can’t I just like the record and stop making jokes about the music being my replacement for Ambien?  It’s not even that it’s boring music, it’s just not actively engaging like most music strives to be.  So why?  Why??

I think it’s the praise.  When a record like this garners an 9.1 on Pitchfork, I’m dubious.  This is one of the best records of the year?  I just don’t see it.  I don’t see why people feel that a record that sounds like a lot of of other bedroom dream pop bands is so far superior to the rest of them.  It’s wrong of me to judge the music based on anything other than music itself, but I do.  The fact that a band like this has its dick sucked by the hip music community while records from Weezer get 4.0’s and 5.0’s just makes me bitter and frustrated and sad.

Oh well.  That’s the way it is.  I think I like Bloom and it’s upsetting me.  But it’s more about my own ego; what I have defined in the past as acceptable and good music vs. what others have defined it as.  I gotta let that go.

I’ve got to listen again - and my appreciation might grow or it might wane.  But as it stands I can’t let any beef I have with Pitchfork get in the way of what might be a good record.  It seems silly, but I can be a silly man when music is concerned.  And it’s hard being the man that is always right about music.  Woe is me, intelligentsia and arbiter of taste.

I’ll never be a big Beach House fan, but I think if I can let go and just listen to the music for what it is I might have a respect for it that, while it won’t be Earth shattering, will continue to inform my world of sound ever so slightly.  

cinemastatic:

Terrence Malick in a wheat field on the set of Days of Heaven

cinemastatic:

Terrence Malick in a wheat field on the set of Days of Heaven

(via fuckyeahdirectors)

“You’re killing that suit, Bill!”
“You’re killing that suit, Wes!”
“Should we hold hands?”  
“Why the fuck not!”

“You’re killing that suit, Bill!”

“You’re killing that suit, Wes!”

“Should we hold hands?”  

“Why the fuck not!”

(via howtotalktogirlsatparties)

Stay glued to your TV set

twitter.com/DannyMoney

view archive



Ask me anything